Iros. [34] She was one of the first filmmakers to use tracking shots in a documentary,[35] placing a camera on rails to follow the athletes' movement. Zudem drehte Dr. Arnold Fanck in diesem Jahr (der Film wurde 1928 hergestellt) ohne Darsteller bei den Olympischen Winterspielen in St. Moritz. It also revealed that her mysterious "producer" is an aging, delusional Adolf Hitler and that the two share a close working relationship. [28] During the filming of Tiefland, Riefenstahl utilized Romani from internment camps for extras, who were severely mistreated on set, and when the filming completed they were sent to the death camp Auschwitz. [13] Riefenstahl's books with photographs of the Nuba tribes were published in 1974 and republished in 1976 as Die Nuba (translated as "The Last of the Nuba") and Die Nuba von Kau ("The Nuba People of Kau"). [76] Kettner said in an interview in 2002, "Ms. Riefenstahl is in great pain and she has become very weak and is taking painkillers". lavede den meget berømte og imponerende propagandafilm Triumph des Willens. [26] The film is sometimes considered the greatest propaganda film ever made. See more ideas about Leni riefenstahl, Film director, Photographer. The accompanied music conveys the meaning behind the images, that of national pride. Controversial film-maker Leni Riefenstahl, who made the Nazi propaganda film Triumph of the Will, has died aged 101. In her dressing room she is "visited" by herself as a young woman portrayed by Valeria Kozhevnikova at three stages/turning points in her life: as a dancer (1924), an actress (1929) and a director (1940). It has gone on record that, immediately following the killings, Hitler ordered all copies of the film to be destroyed, although Riefenstahl disputes that this ever happened. Riefenstahl’s film work intersected with the Nazi genocide machine during two years of production on “Lowlands,” about a dancer courted by two suitors. [5] Some have argued that Riefenstahl's visions were essential to the carrying out of the mission of the Holocaust. Her notable works included Triumph of the Will and a two-part film on … [citation needed], In the 2016 short film Leni. [18] By later accounts, Goebbels thought highly of Riefenstahl's filmmaking but was angered with what he saw as her overspending on the Nazi-provided filmmaking budgets. After considerable controversy over the bold appraisal of Riefenstahl in his first two editions, Hinton continues to celebrate the life and films of this brilliant woman in the absence of the repetitious clichés that so often accompany a discussion of such a controversial filmmaker. [39] Riefenstahl maintained that Goebbels was upset when she rejected his advances and was jealous of her influence on Hitler, seeing her as an internal threat. [62] Throughout 1945 to 1948, she was held by various Allied-controlled prison camps across Germany. [39] She arrived in New York City on 4 November 1938, five days before Kristallnacht (the "Night of the Broken Glass"). Leni Riefenstahl Celebrity Profile - Check out the latest Leni Riefenstahl photo gallery, biography, pics, pictures, interviews, news, forums and blogs at Rotten Tomatoes! Leni Riefenstahl werd geboren in Wedding, een in Berlijn destijds als 'misdadigers- en arbeiderskolonie' bekend staand stadsdeel, als dochter van een loodgieter. [85][86] The biofilm was nominated for seven Emmy Awards, winning in one category. The film is also notable for the terrible fate that many people in this film faced after the film had completed shooting. It's a fascinating, if somewhat long (188 min. [20], Despite allegedly vowing not to make any more films about the Nazi Party, Riefenstahl made the 28-minute Tag der Freiheit: Unsere Wehrmacht ("Day of Freedom: Our Armed Forces") about the German Army in 1935. [35] Riefenstahl played with the idea of slow motion, underwater diving shots, extremely high and low shooting angles, panoramic aerial shots, and tracking system shots for allowing fast action. In 1993, Riefenstahl was the subject of the award-winning German documentary film The Wonderful, Horrible Life of Leni Riefenstahl, directed by Ray Müller. [9] However, it was denied entry into the Cannes Film Festival. [23] She and Hitler got on well, forming a friendly relationship. [12] She began to paint and write poetry at the age of four. lavede den meget berømte og imponerende propagandafilm Triumph des Willens. The 1993 film documentary about Riefenstahl by Ray Müller, The Wonderful, Horrible Life of Leni Riefenstahl, is available in videotape and DVD versions. [19], In 1933, Riefenstahl appeared in the U.S.-German co-productions of the Arnold Fanck-directed, German-language SOS Eisberg and the Tay Garnett-directed, English-language S.O.S. [9] After waking up from a coma in a Nairobi hospital, she finished writing the script, but was soon thoroughly thwarted by uncooperative locals, the Suez Canal crisis and bad weather. Helene Bertha Amalie Riefenstahl was born in Berlin on 22 August 1902. [88], In 1998 Neue Deutsche Härte band Rammstein released a cover of the Depeche Mode song "Stripped", accompanied by a video incorporating footage from Olympia. [51][48] Riefenstahl sued filmmaker Nina Gladitz, who said Riefenstahl personally chose the extras at their holding camp; Gladitz had found one of the Romani survivors and matched his memory with stills of the movie for a documentary Gladitz was filming. [52] The German court ruled largely in favour of Gladitz, declaring that Riefenstahl had known the extras were from a concentration camp, but they also agreed that Riefenstahl had not been informed the Romani would be sent to Auschwitz after filming was completed. [25] More than one million Germans participated in the rally. The films are widely considered two of the most effective, and technically innovative, propaganda films ever made. In 1993, Riefenstahl was the subject of the award-winning German documentary film Die Macht der Bilder: Leni Riefenstahl (1993), directed by Ray Müller. [62] She was tried four times by postwar authorities for denazification and eventually found to be a "fellow traveller" (Mitläufer) who sympathised with the Nazis. Leni Riefenstahl, nom de scène d'Helene Amalia Bertha Riefenstahl, née le 22 août 1902 à Berlin et morte le 8 septembre 2003 à Pöcking (Allemagne), est une danseuse, actrice, réalisatrice et photographe allemande. The only reason why Leni Riefenstahl is acting in this film is that for the first time she was offered a role. Leni Riefenstahl is for sure an excellent director, even if in this film … Leni Riefenstahl found fame in Adolf Hitler’s Nazi Germany. [87] In 2007 British screenwriter Rupert Walters was reported to be writing a script for the movie. Berta Helene Amalie (Leni) Riefenstahl (Berlijn, 22 augustus 1902 – Pöcking, 8 september 2003) was een Duits cineaste en fotografe.Zij begon haar carrière als danseres en actrice, maar werd vooral bekend als filmregisseur. [5] The propaganda film was funded entirely by the NSDAP.[5]. Riefenstahl's filming merits are discussed between characters in the 2009 Quentin Tarantino film Inglourious Basterds. Up to 90% off Textbooks at Amazon Canada. While heralded by many as outstanding colour photographs, they were harshly criticized by Susan Sontag, who wrote in a review that they were further evidence of Riefenstahl's "fascist aesthetics". In a state where women played a secondary role to men, Riefenstahl was given a free hand by Hitler to produce propaganda films for the Nazi regime. [31] Riefenstahl said this film was a sub-set of Der Sieg des Glaubens, added to mollify the German Army which felt it was not represented well in Triumph des Willens. He truly is without fault, so simple and at the same time possessed of masculine strength". [37], Olympia premiered for Hitler's 49th birthday in 1938. [9] Since Riefenstahl was the only child for several years, Alfred wanted her to carry on the family name and secure the family fortune. Leni (Hélène Bertha Amelia) Riefenstahl, film-maker, born August 22 1902; died September 8 2003, The German film director and photographer whose career was curtailed by antipathy to her status as Hitler's favourite film-maker, Monumental and hypnotic: a still from Triumph of the Will. Controversial film-maker Leni Riefenstahl, who made the Nazi propaganda film Triumph of the Will, has died aged 101. [31] Like Der Sieg des Glaubens and Triumph des Willens, this was filmed at the annual Nazi Party rally at Nuremberg. Leni Riefenstahl's show-biz experience began with an experiment: she wanted to know what it felt like to dance on the stage. [40], From the Goebbels Diaries, researchers learned that Riefenstahl had been friendly with Joseph Goebbels and his wife Magda, attending the opera with them and going to his parties. [49][10] On Hitler's direct order, the German government paid her seven million Reichsmarks in compensation. [18], In Triumph of the Will, Tom Saunders argues that Hitler serves as the object of the camera's gaze. Dancer, actress, mountaineer, and director Leni Riefenstahl's uncompromising will and audacious talent for self-promotion appeared unmatched--until 1932, when she met her future patron: Adolf Hitler. Leni Riefenstahl, German film director, actress, producer, and photographer who is best known for her documentaries of the 1930s dramatizing the power and pageantry of the Nazi movement. Riefenstahl relies heavily for her transitions on portentous cutaways to clouds, mist, statuary, foliage, and rooftops. The original German title better conveys the thrust of Müller's film: Die Macht der Bilder (“The Power of Images”). [33] Olympia was secretly funded by the Third Reich. [9] She photographed the 1972 Olympic Games in Munich, and rock star Mick Jagger along with his wife Bianca for The Sunday Times. "[83], Critic Judith Thurman said in The New Yorker that, "Riefenstahl's genius has rarely been questioned, even by critics who despise the service to which she lent it. Iceberg. It is known today that many of them were murdered in concentration camps". [24] It was considered lost until a copy turned up in the 1990s in the United Kingdom. Adolf Hitler was in close collaboration with Riefenstahl during the production of at least three important Nazi films, and they formed a friendly relationship. Leni Riefenstahl — Biography For Alfred Riefenstahl, the owner of a secure and successful heating and ventilation firm based in Berlin, and his wife Bertha Scherlach, August 22, 1902 was the date of the proud birth of their first child that they named Helene Bertha Amalie (aka Leni) Riefenstahl. Saunders continues, "The effect is a significant double transformation: the images mechanize human beings and breathe life into flags. Riefenstahl began a lifelong companionship with her cameraman Horst Kettner, who was 40 years her junior and assisted her with the photographs; they were together from the time she was 60 and he was 20. [13], Riefenstahl said that her biggest regret in life was meeting Hitler, declaring, "It was the biggest catastrophe of my life. [5], Hitler was immediately captivated by Riefenstahl's work. [15] She began to suffer a series of foot injuries that led to knee surgery that threatened her dancing career. [11], Riefenstahl fell in love with the arts in her childhood. [72] On 22 August 2002, her 100th birthday, she released the film Impressionen unter Wasser ("Underwater Impressions"), an idealized documentary of life in the oceans and her first film in over 25 years. [81], Film critic Hal Erickson of The New York Times states that the "Jewish Question" is mainly unmentioned in Triumph des Willens; "filmmaker Leni Riefenstahl prefers to concentrate on cheering crowds, precision marching, military bands, and Hitler's climactic speech, all orchestrated, choreographed and illuminated on a scale that makes Griffith and DeMille look like poverty-row directors". Recipient(s) will receive an email with a link to 'Leni Riefenstahl' and will not need an account to access the content. [29] The film took Riefenstahl's career to a new level and gave her further international recognition. Röhm was murdered on Hitler's orders a short time later during the purge of the SA referred to as the Night of the Long Knives. [68] She also sold some of the pictures to German magazines. [94][95], Riefenstahl appears in the 2019 film Hellboy portrayed again by Kristina Klebe.[94]. Hitler had ordered Goebbels' Propaganda Ministry to give the film commission to Riefenstahl, but the Ministry had never informed her. Where the film does combine diegetic noise with the music, the effects used are human (laughter or cheering) and offer a rhythmic extension to the music rather than a contrast to it. The dancer, actress, director and photographer Helene “Leni” Riefenstahl, who died in 2003, is a controversial character, largely because of the many propaganda movies she produced for the Nazis. The film is also noted for its slow motion shots. ", "Gypsies' Fate Gaunts Film Muse of Hitler", "Pro-Nazi Filmmaker Leni Riefenstahl, 101, Dies", "The Wonderful, Horrible Life of Leni Riefenstahl", "Olympia in America, 1938: Leni Riefenstahl, Hollywood, and the Kristallnacht", "Her Films Glorified Hitler now Leni Riefenstahl's Story Hits the Screen", "Hitler's Filmmaker Leni Riefenstahl Celebrates 101st Birthday", "Steven Soderbergh Reveals He Dropped A Leni Riefenstahl Biopic To Do 'Contagion' Instead", "Art of Justice: The Filmmakers at Nuremberg", "Leni Riefenstahl: The Casualty of Triumph", "Leni: The Life and Work of Leni Riefenstahl, by Steven Bach", "Lonesome Leni: Wonderful, Horrible Life of Leni Riefenstahl", "Leni Riefenstahl, Film Innovator Tied to Hitler, Dies at 101", "What They Said About... Leni Riefenstahl", "Leni Riefenstahl – Propagandist For the Third Reich", International Committee of the Fourth International, "Where There's a Will: the Rise of Leni Riefenstahl", "Valeria Schulczová, Roman Olekšák: Leni", "Quentin Tarantino's 'Basterds' Is a Glorious Mash-up", Newspaper clippings about Leni Riefenstahl, Leni Riefenstahl's Triumph of the Will on MoMA Learning, The Wonderful Horrible Life of Leni Riefenstahl, Cleaning and disinfection of personal diving equipment, Swimming at the 1900 Summer Olympics – Men's underwater swimming, Confédération Mondiale des Activités Subaquatiques, Fédération Française d'Études et de Sports Sous-Marins, Federación Española de Actividades Subacuáticas, International Association for Handicapped Divers, Environmental impact of recreational diving, Table Mountain National Park Marine Protected Area, Finger Lakes Underwater Preserve Association, Maritime Heritage Trail – Battle of Saipan, Use of breathing equipment in an underwater environment, Failure of diving equipment other than breathing apparatus, Testing and inspection of diving cylinders, Association of Diving Contractors International, Hazardous Materials Identification System, International Marine Contractors Association, List of signs and symptoms of diving disorders, European Underwater and Baromedical Society, National Board of Diving and Hyperbaric Medical Technology, Naval Submarine Medical Research Laboratory, Royal Australian Navy School of Underwater Medicine, South Pacific Underwater Medicine Society, Southern African Underwater and Hyperbaric Medical Association, United States Navy Experimental Diving Unit, List of legislation regulating underwater diving, UNESCO Convention on the Protection of the Underwater Cultural Heritage, History of decompression research and development, Basic Cave Diving: A Blueprint for Survival, Bennett and Elliott's physiology and medicine of diving, Code of Practice for Scientific Diving (UNESCO), IMCA Code of Practice for Offshore Diving, ISO 24801 Recreational diving services — Requirements for the training of recreational scuba divers, The Silent World: A Story of Undersea Discovery and Adventure, List of Divers Alert Network publications, International Diving Regulators and Certifiers Forum, List of diver certification organizations, National Oceanic and Atmospheric Administration, World Recreational Scuba Training Council, Commercial diver registration in South Africa, American Canadian Underwater Certifications, Association nationale des moniteurs de plongée, International Association of Nitrox and Technical Divers, International Diving Educators Association, National Association of Underwater Instructors, Professional Association of Diving Instructors, Professional Diving Instructors Corporation, National Speleological Society#Cave Diving Group, South African Underwater Sports Federation, 14th CMAS Underwater Photography World Championship, Physiological response to water immersion, Russian deep submergence rescue vehicle AS-28, Submarine Rescue Diving Recompression System, Artificial Reef Society of British Columbia, Diving Equipment and Marketing Association, Society for Underwater Historical Research, Underwater Archaeology Branch, Naval History & Heritage Command, International Submarine Escape and Rescue Liaison Office, Submarine Escape and Rescue system (Royal Swedish Navy), Submarine Escape Training Facility (Australia), Neutral buoyancy simulation as a training aid, https://en.wikipedia.org/w/index.php?title=Leni_Riefenstahl&oldid=996518227, Short description is different from Wikidata, Articles with unsourced statements from September 2019, Articles needing additional references from September 2019, All articles needing additional references, Wikipedia articles with BIBSYS identifiers, Wikipedia articles with CANTIC identifiers, Wikipedia articles with RKDartists identifiers, Wikipedia articles with SELIBR identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with Trove identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, Film director, producer, screenwriter, photographer, actress, Hazard identification and risk assessment, This page was last edited on 27 December 2020, at 02:15. [47] Riefenstahl was friends with Hitler for 12 years. Ernst Iros in Experiment in the Film, edited by Roger Manvell. [58][46] She visited Kenya for the first time in 1956 and later Sudan, where she photographed Nuba tribes with whom she sporadically lived, learning about their culture so she could photograph them more easily. [73] When filming Impressionen unter Wasser, Riefenstahl lied about her age in order to be certified for scuba diving. The film was released in two parts: Olympia 1. [9], Most of Riefenstahl's unfinished projects were lost towards the end of the war. Members of Rammstein praised Riefenstahl's filmmaking abilities and aesthetic choices in a 2011 documentary of the making of the video, particularly the imagery of the athletes, while simultaneously disassociating themselves from her politics. Her distortion of sound suggests she was influenced by German art cinema. Hun blev især berømt for sit kontroversielle arbejde som Hitlers chefinstruktør, som bl.a. Even when the carriers are not mostly submerged under the sea of colored cloth, and when facial features are visible in profile, they attain neither character nor distinctiveness. Film Estate of Hitler's filmmaker, Leni Riefenstahl, donated to Berlin foundation. It seemed as if the Earth's surface were spreading out in front of me, like a hemisphere that suddenly splits apart in the middle, spewing out an enormous jet of water, so powerful that it touched the sky and shook the earth". In a state where women played a secondary role to men, Riefenstahl was given a free hand by Hitler to produce propaganda films for the Nazi regime. The film was a template for her more famous work, Triumph des Willens (Triumph of the Will), shot at the Nuremberg Rally the following year, in 1934. [29] The motion picture was generally recognized as an epic, innovative work of propaganda filmmaking. [85] Riefenstahl appeared in the film and answered several questions and detailed the production of her films. [19] He saw talent in Riefenstahl and arranged a meeting. Leni Riefenstahl, the German filmmaker whose daringly innovative documentaries about a Nazi rally in Nuremberg in 1934 and the Berlin Olympics … Berta Helene Amalie Leni Riefenstahl (født 22. august 1902, død 8. september 2003) var en tysk skuespillerinde, danserinde, filmfotograf og instruktør berømmet for sin æstetiske sans. [9] The French government confiscated all of her editing equipment, along with the production reels of Tiefland. In diesem Film spielte Leni Riefenstahl eigentlich nur mit, weil ihr hier erstmals eine Rolle als Schauspielerin angeboten worden war. [56] A musical remake of Das Blaue Licht ("The Blue Light") with an English production company also fell apart. After Riefenstahl told him how much she admired his work, she also convinced him of her acting skill. [53] Riefenstahl apologized and said, "I regret that Sinti and Roma [people] had to suffer during the period of National Socialism. Leni Riefenstahl, the German filmmaker whose daringly innovative documentaries about a Nazi rally in Nuremberg in 1934 and the Berlin Olympics … Hun blev især berømt for sit kontroversielle arbejde som Hitlers chefinstruktør, som bl.a. Often called Hitler's propagandist, she disclaimed knowledge of or any responsibility for the Holocaust, saying in 1997 to the New York … 1935. [48] However, her relationship with Hitler severely declined in 1944 after her brother died on the Russian Front. [18] She said she did not realize the victims were Jews. [16] According to herself, Riefenstahl received invitations to travel to Hollywood to create films, but she refused them in favour of remaining in Germany with a boyfriend. [18] Photographs of a potentially distraught Riefenstahl survive from that day. [60] Riefenstahl said she was not aware of the nature of the internment camps. In Triumph of the Will, Riefenstahl used traditional folk music to accompany and intensify her shots. German film director, photographer, actress, dancer, and Nazi propagandist, (from a 1930s postcard honoring Riefenstahl for the, Africa, photography, books and final film, sfn error: multiple targets (2×): CITEREFTrimborn2008 (, The Wonderful, Horrible Life of Leni Riefenstahl, Learn how and when to remove this template message, "Award to German filmmaker spurs debate on her role as propagandist", Historical Journal of Film, Radio and Television, "Helene Bertha Amalie "Leni" Riefenstahl (August 22 1902 – September 8 2003)", "Salem Senior Loughry Could Be World's Oldest Female Scuba Diver", "Jodie Foster film about Hitler aide angers Jews", "Weeds Episode Scripts N/A – It's Time (Part 1)", "Interview: Kristina Klebe (Hellboy, Slay Belles, Halloween)", Hutchins Center for African and African American Research, "Before Steven Speilberg there Was Leni Riefenstahl! [86] She was also the subject of Müller's 2000 documentary film Leni Riefenstahl: Her Dream of Africa, about her return to Sudan to visit the Nuba people. [14][15] Riefenstahl often made almost 700 Reichsmarks for each performance and was so dedicated to dancing that she gave filmmaking no thought. Riefenstahl was a consummate stylist obsessed with bodies in motion, particularly those of dancers and athletes. – Pöcking, 2003. szeptember 8. Leni Riefenstahl Leni Riefenstahl Film director and actress, photographer, dancer, Germany Leni Riefenstahl at work on the film cutting table - 1935 Leni Riefenstahl Naked discus thrower in classical pose| scene from Leni Riefenstahl's film 'Olympia', part 1: 'Festival of the Peoples' - 1936 Until the day I die people will keep saying, 'Leni is a Nazi', and I'll keep saying, 'But what did she do? When Germany invaded Poland on 1 September 1939, Riefenstahl was photographed in Poland wearing a military uniform and a pistol on her belt in the company of German soldiers; she had gone to Poland as a war correspondent. Leni Riefenstahl became Nazi Germany’s most famous film maker. Dec 21, 2015 - Helene Bertha Amalie "Leni" Riefenstahl (German: 22 August 1902 – 8 September 2003) was a German film director, producer, screenwriter, editor, photographer, actress and dancer. [5] Describing the experience in her memoir, Riefenstahl wrote, "I had an almost apocalyptic vision that I was never able to forget. Leni Riefenstahl, German film director, actress, producer, and photographer who is best known for her documentaries of the 1930s dramatizing the power and pageantry of the Nazi movement. Her role as an actress in S.O.S. References This page wis last eeditit on 23 August 2017, at 20:39. [18] Nevertheless, by 5 October 1939, Riefenstahl was back in occupied Poland filming Hitler's victory parade in Warsaw. [59], Novelist and sports writer Budd Schulberg, assigned by the U.S. Navy to the OSS for intelligence work while attached to John Ford's documentary unit, was ordered to arrest Riefenstahl at her chalet in Kitzbühel, ostensibly to have her identify Nazi war criminals in German film footage captured by the Allied troops shortly after the war. "[63], Riefenstahl began a lifelong companionship with her cameraman Horst Kettner, who was 40 years her junior and assisted her with the photographs; they were together from the time she was 60 and he was 20. [64], Riefenstahl traveled to Africa, inspired by the works of George Rodger that celebrated the ceremonial wrestling matches of the Nuba. She is described as fitting in with Hitler's ideal of Aryan womanhood, a feature he had noted when he saw her starring performance in Das Blaue Licht. Her reaction shots have a tedious sameness: shining, ecstatic faces—nearly all young and Aryan, except for Hitler's". Riefenstahl, who is notorious for her Nazi propaganda film Triumph of the Will, has produced a 45-minute … [16] Her fame spread to countries outside Germany. Leni., based on the play by Tom McNab and directed by Adrian Vitoria, Hildegard Neil portrays Riefenstahl[93] preparing to give an interview in 1993. [64], Writer Richard Corliss wrote in Time that he was "impressed by Riefenstahl's standing as a total auteur: producer, writer, director, editor and, in the fiction films, actress. [9] Even so, Riefenstahl was granted Sudanese citizenship for her services to the country, becoming the first foreigner to receive a Sudanese passport. Plus, free two-day shipping for six months when you sign up for Amazon Prime for Students. Iceberg was her only English language role in film. Greenman's Leni revolves around the making of Triumph of the Will and has seen productions all over the United States. [9] Lavish sets made these shots some of the most costly of the film. [53], In October 1944 the production of Tiefland moved to Barrandov Studios in Prague for interior filming. • Leni Riefenstahl was born Helene Berta Amalie Riefenstahl in Berlin in August 1902. Lady Helene is later met face to face and she is seen to closely resemble Riefenstahl. By contrast and paradoxically, the flags, whether a few or hundreds peopling the frame, assume distinct identities".[42]. [22] After meeting Hitler, Riefenstahl was offered the opportunity to direct Der Sieg des Glaubens ("The Victory of Faith"), an hour-long propaganda film about the fifth Nuremberg Rally in 1933. [50] From 23 September until 13 November 1940, she filmed in Krün near Mittenwald. [45] Afterwards, she left Poland and chose not to make any more Nazi-related films. [16] Fanck was working on a film in Berlin. Riefenstahl became one of the few women in Germany to direct a film during the Weimar Period[4] when, in 1932, she decided to try directing with her own film, Das Blaue Licht ("The Blue Light"). [16] She is protected by a glowing mountain grotto. [23] Riefenstahl agreed to direct the movie even though she was only given a few days before the rally to prepare. Leni Riefenstahl found fame in Adolf Hitler’s Nazi Germany. Leni Riefenstahl became Nazi Germany’s most famous film maker. [6] After the war, Riefenstahl was arrested, but classified as being a "fellow traveler" or "Nazi sympathizer" only and was not associated with war crimes. [16] One of Fanck's films that brought Riefenstahl into the limelight was The White Hell of Pitz Palu of 1929, co-directed by G. W. [9] However, her mother, Bertha Ida (Scherlach), who had been a part-time seamstress before her marriage, had faith in Riefenstahl and believed that her daughter's future was in show business. Pabst. [56] They thought the film might symbolize the love-hate relationship between Germany and France. Olympia is a 1938 German documentary film written, directed and produced by Leni Riefenstahl, documenting the 1936 Summer Olympics, held in the Olympic Stadium in Berlin, Germany.The film was released in two parts: Olympia 1.Teil — Fest der Völker (Festival of Nations) and Olympia 2.Teil — Fest der Schönheit (Festival of Beauty). Still impressed with Riefenstahl's work, Hitler asked her to film Triumph des Willens ("Triumph of the Will"), a new propaganda film about the 1934 party rally in Nuremberg. After considerable controversy over the bold appraisal of Riefenstahl in his first two editions, Hinton continues to celebrate the life and films of this brilliant woman in the absence of the repetitious clichés that so often accompany a discussion of such a controversial filmmaker. Berta Helene Amalie Leni Riefenstahl (født 22. august 1902, død 8. september 2003) var en tysk skuespillerinde, danserinde, filmfotograf og instruktør berømmet for sin æstetiske sans. Rather, it is encoded in representation of flags and banners, which were shot in such a way as to make them visually desirable as well as potent political symbols".